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How to Create the Best Music Submissions and Increase Discoverability

Updated August 2025

When uploading music to Motion Array, it’s important to understand how the platform works and how users discover content. To help you succeed, here are some key guidelines

1. How Often Should You Upload? - Smaller batches, consistent uploads

Music on Motion Array is primarily discovered through search and algorithmic recommendations. Uploading large batches of tracks all at once offers no real advantage. In fact, our data shows that your music is more likely to be discovered when uploaded consistently and strategically - in smaller batches or even one track at a time.


2. Get The Most Out Of Your Slots 

To keep your content fresh and consistently visible, we recommend using your available submission slots strategically. While you have 5 available slots, using all of them at once doesn’t mean all 5 tracks will be approved or published at the same time or even within the same week. Our curation team is taking a more thoughtful approach, carefully timing approvals and uploads to help your music stand out. 

We recommend uploading 1 to 2 tracks per week on a consistent basis. This helps maintain a steady presence in the catalog and ensures your music stays in front of users longer, especially while it's still labeled as new content. Spacing out your submissions gives each track its best chance to perform well.

Kindlg note that as a result curation times may take longer than before as our curators will approve fewer songs per day.


3. Creating Remarkable Music 

We expect only your best work - tracks that are polished, well-produced, mixed and mastered and meet industry standards. Think clean mixes, commercial usability, and strong musicality. We place a strong emphasis on audio quality, dynamic and engaging compositions, originality, professional acoustic recordings, and usability, including versions, stems, and productions that can suit a variety of visual projects. 


4. References and Examples 

The work of top composers and producers is a good benchmark to consider when working on new material. 


To help keep you focused and give you a clearer idea of what we’re looking for, here’s a list of references and examples, sorted by genre and style:


  • Pop

    We’re looking for tracks that are fresh, vibrant, and instantly memorable, the kind of songs that make you want to dance or sing along. Think along the lines of Sabrina Carpenter or Dua Lipa: catchy hooks, polished production, and a modern sound.


    Reference 1

    Reference 2


  • Corporate (including children’s tunes and quirky instrumentals)

    From inspiring corporate anthems to lighthearted children’s tunes, this category is all about versatility and sync-friendly usability. Think tracks that could seamlessly elevate a product launch, tech ad, or even a perfume commercial. Whether it’s bright guitars, cheerful ukulele, or quirky, whimsical melodies, we’re after music that feels approachable, professional, and easy to pair with visuals. Reference 1

    Reference 2


  • Rock

    When it comes to Rock, we’re looking for music with real edge and character - not just stock “corporate rock.” Think gritty riffs, punchy drums, and swagger, like Arctic Monkeys or The Strokes.


    Reference 1 Reference 2


  • Funk & NU Funk

    Bring the groove. Whether it’s slick and modern like Daft Punk, or soulful and retro in the style of Otis Redding, we want funk that’s irresistibly rhythmic and uplifting.


         Reference 1 

 Reference 2


        Reference 1         Reference 2



  • Hip-Hop

    This category is broad: it can include dark heavy beats, high-energy or chopped vocals, as well as golden-era 80s/90s influences and modern rap-driven productions. Spoken word, experimental, or melodic hip-hop are also welcome, as long as they bring a distinct vibe.


    Reference 1

    Reference 2



We’re excited to hear your future submissions. Keep creating, and let the music speak for itself!


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